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Sunday, December 30, 2007

The Last True Love Story

I really like this piece. Its actually one of my favorites that I've posted on this blog. I think what i fancy the most is the dual layers it works in. There is a few different lens' you can read this through, most of it depending on where you fall on the spiritual spectrum. I would like to say -as always- this is a work of fiction, and although those of you who know me well, will see a lot of truth to this story in certain aspects, it is by and large purely fictional. I don't want to get too detailed about the spiritual aspect of the story because if i reveal too much about it, i fear it will potentially alter your reading. There are certain techniques at play that i try and cater too, all of which depend greatly on the readers perception of the world (i attempted to write a story that could be read on either side of this spectrum). A few things to think about as you read: the title is meant to be much more then what it merely suggests, almost everything important in this piece is dual layered, finally please respond and just give me what you 'think' the story is about and what it is trying to portray. Alas, here it is, i hope you enjoy.

The Last True Love Story
By J.L. Hickey

Tears stained her red cheeks with rivers of salt. We stood together for the last time outside of my parent’s house in front of her heavily rusted grey le saber Buick. It was late; a fresh layer of snow covered the road. Her watery eyes glistened with the glare of the street lights. These cold city streets never looked as beautiful as they did within the reflection of her eyes. That night marked the last night I was to ever truly feel alive. She kissed me there for the last time. Her lip quivered as we touched. She spoke to me with her soft broken voice.

“This is the hardest thing I have ever had to do. But I have to do it.”

That’s what she said, that’s it… she had to do it. I’m sure the pain I felt that night could be felt across the world. My stomach knotted, my knees were weak. I felt as if I was dying, literally.

The soft snow fell onto my shoulders as I watched her turn off my road for the last time. I thought this may have been an attempt of God to console one of his lost children. His way of holding me when I needed it the most. When I walked back alone to the side door of my house I remember looking back and seeing my lonely footprints behind me. I thought of the poem that was read at my parents funereal, about how in our darkest times there’s only one set of footprints. How that man looks at God and asks him why he was not their walking beside him during his time of need. God replies that he was there, that those were his footprints carrying him. I wanted to smile, but then I remembered, I don’t believe in God.

If you measure life by moments of happiness, then that was the night I died. Those were the lasts breaths I would ever breathe worth the effort inhaling and exhaling. I had felt too much pain already in my young life. If you think God has a plan for us all, and that this heartache only makes you stronger, then you have lived a sheltered life, because that’s bullshit.

That snow on my shoulder melted as quickly as my faith did so many years ago.

When I die, and if I am proved wrong about this God character, and I get the chance to stare God in the face during my so called judgment, I’m going to let my fists do the talking for me. I’ll easily go to hell for the chance to kick his elitist ass.

Years later I am nothing. I work a shit end job. I pay my bills and my taxes. I spend my nights alone drinking. I spend the day alone working. It’s snowing out on this particular night that I stumble into my old church. It’s been a long time since I’ve stepped foot into this or any church. I don’t even know its Christmas Eve when I take a seat in the backroom. No one notices me sitting there, or the grudge that I hold tightly in my clenched fist.

I see her.

Twenty some years later, and it feels like yesterday. She’s only two pews in front of me. She is beautiful, angelic even. A small child is sitting on her lap staring at me. He’s resting his young chubby face on her shoulder. She is with her husband, who I dare not look at. The child has her eyes; I notice this and cry silently. The boy looks up at me and with his rosy red cheeks he faintly smiles. Across his neck is a cross and chain that lays over his navy blue tie. He is happy, she is happy, they are happy, I am lost.

I walk out soon after. I cry harder as I walk away in the snowy night sky. I leave behind the loneliest set of footprints any man has ever walked. I prayed to God to carry me home that night. Then I remembered, I don’t believe in God.

4 comments:

Anonymous said...

This piece ... it has an intensity to it, a very realistic approach.

Some parts are written very well, and some seem like the character is just too bitter and it gets the best of his depictions.

- TS

Gary Allen said...

If I were giving you comments on paper I would have circled the first paragraph and labeled cliche. I'm not trying to come off as dickish, but as a fellow writer and one who can really critique and gauge your work.

There is some really odd phrasing in this piece that I'm not sure about. Why put le sabre buick? You could say Le Sabre or Buick Le Sabre but it really doesn't work the way you use, I'd consider revision there.

Then, towards the latter half of this piece your voice changes intensely. I don't know if it's a device used in order to capture the narrator's new outlook on life but I don't think it really works.

The story isn't poorly written or anything it just seems like a standard break up story, what's fresh about it? What can make it fresh?

His parents died, he wants to fight God? Sounds all too typical. I mean, "there's nothing new under the sun," but you've got to employ something to set it off from all the rest of the carbon copies out there.

J.L. Hickey said...

Gary,

Thank you for taking the time to critique the piece, as always I value your input. It’s unfortunate that I think you missed the deeper meaning of the piece itself, which is either because I the author failed to make the connection strong enough, or you got caught up in the first layer of the piece and failed to look deeper into its true design.

It’s not a story about a break up at all; the cliché is used as a medium to drive the deeper meaning of the piece. The title itself is meant to be the key to the story, which I don’t think you utilized in your reading of the story. However I wrote it in mind that people would read as such as you did, and that they could potentially get that reading out of it. I’m sad that’s all you pulled from it, but alas it was written with tricks and to make people think deeper then they would normally do to pull out their personal ideals and beliefs through the connection with the story arc.

Here's how it works, and if anyone else is reading this I offer to let you know that this will probably change your mind of your read of the story, so please don’t read any farther until you've read and gotten what you want out of the piece first.

Okay, it is clichéd in the first paragraph; in fact one could argue that the whole story is a cliché. I purposely use this cliché to drive this common story that has been told hundreds of times, but I purposely set it up so that those who engage this piece past the mere outer layer will be pleasantly surprised by its depth. First of all, I know you misread the story, for the piece is not about a break up at all, its entitled the last true love story, which is obvious not the love this guy has for his ex g/f, because he is consumed more with hate and despair then with love (although one could argue this is all love leaves us, which is of course another potential reading of the story itself, just not the one I was completely intending for –I was however aware of this-). Rather the story really defines itself with what you -the reader- makes of the last paragraph. This attempt that I try to subtly weave into this cliché is what I argue makes this piece far from cliché at all.

The true struggle is the characters clash with God, obviously this is not hidden, and you make mention of it yourself. A lot of people will read this and probably think this is an anti-god piece. It can be, as I wrote it to be read with the potential of at least three different meanings. I mean if you don’t believe in God and lack faith, then at the end this story, it is what it is, a man with nothing, and only his footprints follow him into a chaotic world of random acts of meaningless nothing. You can even read it as you did, as a mere break up story about a man who loses a g/f and never recovers. The last one is the last thing I would hope people make of it.

The true love story is that even when you turn your back on God, he still loves you, and in the end he is still carrying this fucked up guy on his back, its not really his footprints, but that of his creator carrying him through his life. That’s the last true love story. Society turning its head away from faith and God, and God still carrying us through these trying times where he is not even welcome in most of our lives.

I agree with your statement about the car and have edited it in my own personal copy of the story.

The voice change was meant to signify not only a time change but a personal outlook of life change that the character had carried with him for twenty years of misery, perhaps it is not working, and I will be looking into it deeper.

As always, thanks Gary. I have posted quite a bit since the last time you posted, take some time and read up on some stuff, I value your input greatly. Thanks!

Anonymous said...

Good for people to know.